Perhaps it’s the time in Seattle, or the overall feel of our age that has influenced Dreissk’s work, but one cannot help but draw parallels to post-apocalyptic or dystopian imagery and thoughts when listening to the album. And any record managing to do that is a good record in my book.
All in all, “Avenger” is easily one of the must-have albums of 2011, ready to take on the newfound mainstream interest as well as keep the older followers of Hecq’s work pleased. Highly recommended.
Spanning nine tracks and a respectable 45 minutes without ever leaving the listener feeling anything but captivated, “Diarion Sonoro” is a must-have album, one that has earned my utmost respect for both artists and which I feel obliged to heartily recommend to anyone with an interest in great electronic music.
While not so much a club affair, the album has excellent rhythm and pacing, making an exemplary urban soundtrack, yet managing to shine even further with the attention that a dedicated listening can provide. A truly magnificent piece of work, “Night Gallery” is one record that Displacer should be proud to call his own.
Anklebiter’s skills in creating good electronic music certainly seem to assist him in choosing fitting mixes for this collection, resulting in a record that feels almost organic in its continuity and flow, rather than a disjointed tracklist, a problem plaguing more than a few such collaborations.
While neither harsh nor particularly danceable, the album remains intriguing precisely because of its queer and, well, idiosyncratic nature, which clearly separates it from your average glitchy electronics. Definitely not as appealing to the mainstream a record as “The Blind Watchmaker”, it still works on its own merit as a more experimental expression of Bruno de Angelis’ work.
“Conclusion”, ironically enough, is a record that just leaves you craving the next offering, with a sound alternating from the alien of Beefcake and retro-club of Oil10 to the lo-fi of Tarmvred. Don’t let the comparisons fool you though, as the musical work here certainly has its own character and sound, managing to offer great continuity as an album without sounding repetitive.
Overall, “Catalog” is a fine album, as long as the second disc is considered as bonus material, a glance into a different side of the artist but not an integral part of the record. The tracks found on the first disc are enough to please anyone craving good electronic music, provided you don’t mind the smattering of genres.